![]() ![]() The minor seventh flat fifth is simply what the name implies. Ring finger: 8th fret, 2nd string (Another option is to barre strings 2 through 4 with your middle finger.).Now, to get the root on the 6th string, switch the finger to this: Middle finger: 3rd fret, 3rd string (Instead of adding this, you can barre strings 2-5 with your index finger).Index finger: 3rd fret, fifth string (Root).One way to play the C7 chord with the root on the 5th string is as follows: However, do note that there are variations that include the 9th and 13th notes. Their composition includes the root, 3rd, 5th, and flat 7th. You’ve probably already seen dominant chords annotated in other guitar songs - they usually have a 7 (or 9 or 13) after the chord name. Middle finger: 8th fret, strings 2-4 barred.To move the root to the 6th string, try this shape: To play a Cmin7 with the root on the 5th string, use this fingering: The notes are, therefore, the root, flat 3rd, 5th, flat 7th. The only difference is that it has the 7th note, which is also lowered a half step. Like a regular minor chord, the minor 7 takes the same notes as the major 7 chords but lowers the third note a half step. Index finger: 8th fret, 6th string (Root).If you would like the root on the 6th string, use the following fingering: Index finger: 3rd fret, 5th string (Root).For a Cmaj7 with the root on the 5th string, play the following: The major 7 chord uses the root, 3rd, 5th, and 7th notes in the scale. With those things in mind, we’re going to take a look at two ways to form each of the 7th chord shapes. We will look at fingerings that have the root on either the 6th string or the 5th string to give you some versatility. Start using these shapes for the C chord, then move that shape further up the fretboard to play more chords.Įven though we will look at just a couple of chord shapes, remember that there are other ways to play these chords. ![]() Remember, since these are moveable chords, always mute any string not fretted, so you don’t get a strange, ugly-sounding chord.Īlso, all of the following chords are C chords for the sake of consistency. When you know which one is the root, you can figure out where to place your fingers to get the desired chord. Since these are chord shapes that you can move up and down the guitar neck, we have marked which note is the root. ![]() The same goes for the minor 7, dominant 7, and the other 7th chord types. For example, if you play it on the 7th fret, you’ll get a Cmaj7, but the same shape on the 9th fret is a Dmaj7. You can move the major-7 shape (which we will learn below) up and down the guitar neck to get different chords. There is some good news, though: to master the 7th chords for various scales, all you need to do is learn one basic shape for each chord type. However, since the notes on the guitar aren’t organized like those on a piano, the fingerings for the 7th chords can vary greatly from the generic ones. We’re just adding in one more note in the scale: the 7th. While this four-note pattern may change slightly with each type of 7th chord, it isn’t a gigantic jump from the chords you have probably already learned on guitar, which include the root, 3rd, and 5th. They are based on the following notes of each scale: the root (1st), 3rd, 5th, and 7th. We will only go over the base chord shapes, which you can build on later once you have a solid foundation. We won’t go over all the jazz chords here because there are numerous options and variations. ![]()
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